Genre of “Bando and the New World”
Hip-Hop, Rap, Afro-Beat
Metacritic Score of “Bando and the New World”
72%
My Interpretation of “Bando and The New World”
Bando And the New World is a bold and ambitious project from Childish Gambino, now going by his original name Donald Glover. He encapsulates a diverse array of sounds and themes, showcasing his creative depth. This album is a tapestry of personal growth and illustrates the essence of modern life.
The album, a high-energy track, kicks off “H3@rt$ W3RE ME@NT TO F7Y”.I found myself immediately drawn in by the infectious techno beats and the playful rap. Amaarae’s contributions add an extra layer of charisma, making it impossible not to have fun with this track. The calmness and fullness of the first track were abruptly stopped as the second track approached.
“Lithonia” was a complete mood shift, taking me aback. The rocky production incorporated themes of heartbreak and liberation, and the introspective lyrics explored relatable feelings. Its a reminder of the complexities of love and freedom. This was one of my favorites that has been shared so far. Following the emotional weight, “Survive” brings a trippy, lo-fi, vibe that I found uplifting and clever. The lyrics focus on resilience and thriving despite challenges. The soulful trumpet enhances the overall feel, though I wish that Chloe was a bit more prominent in the mix.
Transitioning onto a more serene moment, I love the soothing acoustics of “Steps Beach”. The gentle guitar and harmonious vocals create an atmosphere of peace and intimacy, making it a perfect moment to escape the chaos of the outside world. From the tranquil space, I was pulled back into the realm of rap with “Talk My Shit”. This track serves as an anthem of self-confidence and celebration. Every artist has a song like this on their album, especially a rap artist. Flo Milli’s buttery delivery adds to the fun, creating an empowering vibe that’s hard to resist.
Once again, the energy takes an introspective turn with “Got To Be”. I was intrigued with the techno sound, yet there was some juxtaposition between the beat and lyrics. The lyrics explore self-destructive patterns. The haunting song captures the realities of addiction that lingers in the mind even after the track is finished.
Fortunately, “Real Love” brings a refreshing pop energy that feels light and playful. This album is an up-and-down rollercoaster. This song explores rediscovering love after personal turmoil, and Gambino’s confident vocal delivery shines through. Gambino is doing things only few rappers do, he is switching up his music. As stated earlier, there is no set genre for this album so that means each song will sound different. This is very respectable.
As I continue listening, the collaborations on “In The Night” transports me back to the Afrobeats sound. The emotional complexity of jealousy and desire is beautifully displayed. Jorga Smith and Amaarae enhance the track even further, making it a standout. Following the high, I found “Yoshinoya” to be a diss track with its trap-infused influences. It very clear someone betrayed Gambino and he is not happy with it.
I got to see a more heartfelt side of Gambino with, “Can You Feel Me” featuring Legend. A heartfelt track that features a sample of the African Alphabet. It focuses on familial love and growth The repetition makes it hypnotic and soothing. The inclusion of Gambinos’ son adds a more personal touch that resonates with me. As I moved onto the longest track on the album, “No Excuses” blends futuristic sounds with a haunting examination of a relationship that lost its spark. The intricate production and Gambino's luminescent voice create a captivating experience that keeps me engaged even with the long length of the song.
Shifting gears into “Crusin” which is chaotic yet cinematic. The track dives into themes of mental turmoil. The production reflects the tumultuous nature of the lyrics, creating a visceral experience that feels both raw and powerful. In a moment of calm, I appreciated the reflective interlude of “We Are God”.Filled with affirmations and a chill beat, it serves as a thoughtful pause in the album’s journey, reminding me of the light within.
There is a little bit pop- rock vibe in the next track, “Running Around”. It evokes nostalgia and I imagined it being in a 90s movie montage, and I enjoyed the carefree energy that Gambino and Foushee bought. Transitioning once again, Gambino incorporates country influences to “Dadvocate” to thoughtfully address societal pressures on both genders. Gambino’s vocal delivery shines here, revealing another layer of musicality that I admire.
As we approach the finale, “Happy Survival” featuring Khruangbin radiates beachy vibes, celebrating the triumph of survival. With minimal lyrics, it creates a flowy and free atmosphere, inviting me to bask in the sound and feel the warmth. Finally, closing the album with a club-ready beat, “A Place Where Love Goes” reinforces themes of empowerment in love. The confident rap and hypnotic production create an enticing finale, though the abrupt ending left me wanting more.
Overall, this album was a testament to Childish Gambino’s many talents. Each track invited me into a unique sonic landscape blending personal stories with with universal themes. This album explored multifaceted themes such as life, love, and resilience.
My Top Songs From “Bando and The New World”
“Lithonia”
“Steps Beach”
“Talk My Shit” Feat. Amaarae & Flo Milli
“Real Love”
“In The Night” Feat. Jorja Smith & Amaarae
“Can You Feel Me” Feat. Legend
My Score for “Bando and the New World”
79%
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